I think the haze was created by the air disturbance as the year whizzed by. Do you remember about the end of week one of the long summer school holidays saying to your mum I'm bored there's nothing to do. Oh to have that luxury of endless time (without any real effort to create it) now.
So what do I remember about 2018? what did I sew? what were the highlights/lowlights and bits in-between? and do I have any plans for 2019?
The Sewing
If 2017 was the year I rediscovered the dress then 2018 is the year I realised: (a) I could sew trousers; and (b) how useful it is to have patterns we love. My sewing was either prolific or non-existent, even deadlines didn't necessarily produce results. Yet I somehow managed to produce 33 finished items - 16 tops, 5 dresses, 3 pairs of trousers, 6 pairs of leggings, two jackets and one coat. From number of wears I would consider 6 of these to be misses.Fabric continued to pour in with a bit converted to garments. No new BMV patterns were purchased in 2018. I bought a few Indies both print and PDF but my real nemesis was second hand patterns (I bought 45). No wonder pattern storage is now a problem.
Tops remain my most sewn garment, helped by the fact that I sewed multiples of the same pattern. Not all of the tops sewn were a success.
Details of the various top versions can be found here |
The Watercolours Sweater on the left and the rayon knit stripe on the right |
The Besharl tee pattern was only used because it worked for the Liberty Isle of Wight fabric remnants. Yet both of these scrap busting tops are more beloved than their original cousin.
Left and right Isle of Wight Pocho tee, centre stripe knit unblogged |
Right Madrid Isle of Wight top, left unblogged |
Left to right: Basic Black Asymmetrical Blouse W; Named Saunio Cardigan; Silhouette Patterns Marie's Sweater top; StyleArc Maris Ballet top; Diane Ericson River Tunic |
Left to Right: Brilliant Red Mouline Silk Dress with the Zephyr Ecopossum coat cardi a RTW remake; V1410 Winter Floral Dress; Peppermint Patty Dress; and Bloom Montage Swing Dress |
Trousers were sewn this year for the first time since I resumed clothes sewing 10 or so years ago. (I am not counting the toile from last year because a finished pair of trousers never eventuated.) Three pairs of trousers were made, followed by six pairs of leggings after I discovered Moochi tunic tops. The Megan Nielsen Flint trousers were worn heaps last summer. The non-stretch woven jeans (Silhouette Patterns #3300 Lana's jeans) were an eye opener about how comfortable non-stretch trousers could be if they fit properly.
Left to right: Lydia Flint and Vesuvia Flint |
A plethora of leggings |
Left to right: V8430 MT Green/Pink Kantha jacket; Lana's Caesar Jeans; and V2056 Miyake Poppy's Patchwork jacket |
Friends and family feed my love for matchy matchy with gifts to wear with the Ulysses Rainbow Trench |
2018 Highlights
My curated wardrobe continues to be a highlight. I rarely bemoan having nothing to wear and easily find an outfit or mini wardrobe collection for the events in my life.Sewing highlights were really the time I carved out for myself to do what I love, including two sewing classes and the biannual trip to Houston. I reviewed my sewing experience with Gertie which was enjoyed more for the time with my friend and away from work than anything I learnt. The dress will be finished and worn one day having bought more of the Liberty fabric to re-cut the skirt back so it matches at centre back. The class didn't ignite my inner retro chic either so you won't be seeing a transformation any time soon.
The second sewing class with Peggy Sagers of Silhouette Patterns, in Portland, Oregon was a truly wonderful experience, from the people I met to the learning. The only downside - I was sick and in the interests of achieving something limited myself to only getting Ralph's Pant (pattern 3600) fitted. As a result my 2019 version of Lana's jeans is a great improvement on the 2018 pair.
The International Quilt Festival in Houston is always an absolute treat. Sometimes we don't quite get the class mix right but this time we did and were much more relaxed about the whole experience. The quilts are always absolutely stunning and each year more of them move away from "a quilt" to a piece of textile art with exquisite workmanship and attention to detail.
A lowlight was a missed opportunity. An amazing textile embroidery artist, Sophie Standing, toured NZ and I was supposed to do her four-day class in Wellington with another friend. However with the other trips planned, work commitments and knowing how tired I get when I don't have the weekend to re-charge I let the opportunity slip by. From the photos and my friend's finished quilt the class was spectacular and I regret not making the time.
Goals for 2019
I saw a great meme (is it still a meme if its true rather than ironic?) which pretty much sums up how I feel. My goal for 2019 is to accomplish the goals of 2018 which I should have done in 2017 because I promised them in 2015 and planned them in 2014.I am continuing with my 2018 word of the year BALANCE. A word with multi-faceted meaning which I need to make more effort to achieve.
Sewing wise I really enjoyed working to a plan and I have three floating around in my head at the moment which would give me four months to achieve each plan. The Minnie Mouse wardrobe in progress for the first four months may be a bit ambitious given that realistically I am unlikely to sew more than a garment a week. So far I am up to 20 garments and anything more than 16 is a bit of a dream. More cogitation is required to ensure the plan has balance! As you would expect the ones for later in the year are a bit more nebulous and highly susceptible to change but I have started gathering fabric and ideas for them.
I have been coveting a Kantha coat for years, and have not yet done it. I have been suffering from lack of sewing motivation for the last several months, and I think this might be the project to get me started again! I’m glad to be reminded about that fabric from Stone Mountain because I had forgotten. I’ve spent far too much time over the years perusing eBay for the perfect quilt and then balking. How many yards do you need for that style coat? I think I will use the Tessuti Brooklyn Coat pattern, as I’ve made it before in boiled wool and have all the fitting adjustments figured out. But it looks to be almost identical. (I recall that I changed the shoulders also to be set-in sleeves.). My notes indicate that I needed just over 2 yards, but I think that fabric was 50+ inches wide.
ReplyDeleteThe Tessuti Brooklyn Coat does look very similar and would work well for kantha cloth. A special fabric that gives me joy always improves my sewing motivation.
DeleteFor expensive fabric where I don't want to buy lots extra I lay out my pattern pieces on the cutting mat (or you could use a similar width fabric in your stash) to work out the minimum length needed. I take notice of the grain line and pattern piece direction if the fabric will have nap or a one direction print, or a border print / selvedge I want to use in a particular place. I can also make the decision about pockets and facings etc (omit, keep or cut from a different fabric).
I ended up purchasing a purple Kantha fabric from Marcy tilton as well as a red/pink quilt from eBay and deciding upon using a hack of the Brooklyn coat with set-in sleeves and adding the collar style of the Vogue. I was referring back to your original post to consider how you had finished the sleeves and hems (binding) and saw that you had updated with fabric length information. Thanks for adding that information; it is very helpful! My hacked pattern is already to go, just waiting for the fabric to arrive!
DeleteGood luck with your Brooklyn Kantha coat, hope it matches your vision and you love wearing it.
DeleteYour wardrobe retrospective is fabulous-full of detail, descriptions of what worked and what did not, and the photos are so fun and colorful. Thanks for sharing your personal journey!
ReplyDeleteThanks very much for your comment. It was interesting to read your perspective because when writing this post (and why it took so long) was I felt it was boring and just regurgitating what had been said in the past year. But of course when you have just made a garment you don't critique them for wearability or longevity in the wardrobe.
Delete