Saturday, 31 October 2020

Style Arc Palermo Satin Cloud Knit Jacket

This simple jacket jumped many queues to become a finished garment within moments of acquiring both the pattern and the fabric. The plan for the 2020 Pattern Review Wardrobe Contest had already been formulated but I found myself re-thinking the options so this oh so cosy fabric could leap into my wardrobe for a few wears before the temperatures became too high.

The finished garment

Whilst the name of the pattern is the Palermo knit jacket the garment itself is more of a shrug than a jacket. It can be worn as outerwear on a warm sunny day but so far it has been worn as a shrug to snuggle into on a cool Spring day.

Not exactly demonstrating its warmth and cosiness with me squinting into the sun during the photo session, but here I am in my super cosy comfortable shrug not sacrificing style!


The Palermo Satin Cloud knit jacket is worn with the WORLD Pink Mustard Black Stripe Positivity Tee, Megan Nielsen Flint Boyfriend Mustard trousers and Ernest Wyler Keesher Sunflower booties.

The interesting seam lines of the jacket
Whilst it was a relatively simple sew the wrangling of the back hem warranted the use of one of my treasured labels. A gift from a friend they are used sparingly for those oh sew special garments!

The fabric

This wonderful Liberty Linford brushed sweatshirting entered the stash on 3 October 2020. It wasn't quite washed in time to be whisked away for holiday sewing but it was desperate to be made. A true love at first sight fabric. 

Liberty Satin Cloud B Linford Brushed Sweatshirting
This is a 300gsm 100% cotton fabric, one of the new range from Liberty of London at The Fabric Store.

It is described as "an Italian made Liberty cotton sweatshirting from the Linford range. Echoing the billowing pleats of the silk route’s prized flowing silk cloth this delicate Satin Cloud Liberty Fabrics print has cloud-like softness and energy. Linford Fleece is cosy and breathable, with a long-wearing pliability that only gets more comfortable with age. This super cosy fabric has been knitted with a loopback which has been brushed to create a fleece style fabric, super cosy and soft. The printed face of the fabric has a dry, flat texture whereas the reverse is a fuzzy texture in a plain bubblegum pink colour. The print design is made up of tones of clementine, purple and black on a black and pink base. A heavyweight knitted fabric perfect for sweaters, winter dresses, cosy loungewear, children and babies' winter clothes."

The pattern

I knew the Palermo knit jacket pattern had to be part of my collection the moment Style Arc sent me the email back in August announcing the release of the "gorgeously comfortable new discounted Palermo outfit sewing pattern bundle". I did wait until early October to purchase it as neither of the free pattern offerings in August and September appealed. Luckily the October freebie (Wilma woven top) tempted my fancy as the Satin Cloud fabric was desperate to become this jacket.

Style Arc describe the pattern bundle as "perfect if you are taking it easy and looking for ultimate comfort without sacrificing your style. The Palermo Jacket features interesting design lines, that are surprisingly created with only two pattern pieces! The relaxed look contours the neck and sits just below the waist. A shrug style jacket featuring long sleeves, neck hugging collar and interesting design lines."

Suggested fabrics are: sweater knit or any fabric with slight stretch and drape. Yippee for once my fabric choice matches with the designer's suggestion.


The other two patterns in the bundle (Palermo knit pant and Teagan knit top) were not purchased as drop crotch, elastic waist lounge pants have never appealed and I didn't need another basic t-shirt. Although now I have snuggled into my Liberty Linford brushed sweatshirting Palermo jacket I am sorely tempted by the idea of using the fabric for trousers. Luckily I am saved at least for the moment by the fact that we are fast approaching Summer so warm snuggly trousers have less immediate appeal.

The pattern card



The pattern alterations

Absolutely none. I did however sew the size 6 due to its oversized nature rather than my usual size 10 or 12 in Style Arc patterns. The finished garment measurements for the size 6 are bust 47¼ inches; sleeve length 27⅛ inches; centre back length 21½ inches and hem circumference 39¼ inches.

Very oversized garments don't usually suit my shape and I moderate the amount of ease by sewing a smaller size. It is a balancing act to retain the essence of the garment without swamping me.

The sewing

Style Arc class this jacket as an easy make as long as you follow the A, B, C notations - carefully marking them on the fabric. I would agree with this assessment. The seams were sewn up on the overlocker in no time. Up until this point the most time consuming part was changing the overlocker threads. With the high contrast between the the pink fleecy inside and the black exterior I overlocked the outer garment edges in black to finish them. Then for the seams changed to pink thread in the upper and lower looper and right needle with the left needle staying threaded with black thread to match the fabric right side.

Four thread pink overlocked seam - left needle threaded with black

The Style Arc instructions with their informative little diagrams were more than adequate for sewing up this knit jacket. The A, B and C notations were clearly illustrated and easy to associate with the markings on the garment. As my fabric was fluffy I snipped the fabric at the A, B and C points.

There were three instances where I didn't follow the instructions:

  • After the side seam was sewn I sewed the centre back collar seam together. Then I folded the sleeves in half and sewed from the right sleeve hem up the arm, round the back neck edge down the left arm to the hem in one continuous seam.
  • When I attached the shawl collar to the back neck edge I didn't sew in the facing. The entire facing (front opening and collar) were hand catch stitched in place at the end with the hem.
  • Hem depth was increased for sleeves and garment body

Once the seams were sewn the sleeve hem was turned up 1½ inches instead of the ¾ inches allowed in the pattern. This deeper hem was perfectly accommodated within the width of the sleeve and made the sleeve length appropriate for my arms! The hem was hand catch stitched in place.

The sewing machine made a fleeting appearance to sew the facing to the garment body at the hem right sides of the fabric together with a 1 inch seam allowance to match the hem depth. The garment was then turned right sides out without trimming the seam allowance to make a sharp square corner a la Louise Cutting.

The hem was turned up 1 inch not the ⅜ suggested. Whilst I think it is better with this deeper hem it did cause the only problem I had when sewing this jacket. With the curvature of the design the hem would not lay flat at the side seam so I ended up cutting a strip of fabric as a hem facing for the back hem only. At the folded fabric edge the back hem is 16⅝ inches wide and the top of the hem is 1 inch wider at 17⅝ inches. This is clearly an improvisation at the end because the hem edge has pink thread overlocking not the black used for the other edges.

Improvised back hem facing

The styling

Whilst my entry for the 2020 PR Wardrobe Competition may never see the light of day as I have sewn only four of the ten necessary garments, the Palermo Satin Cloud knit jacket fits perfectly into another PR competition currently running - Warm and Cosy. This competition was discovered by accident when looking to find out the closing date for the Wardrobe Competition.

Luckily the rules were simple, requiring:

  • the garment to be sewn in the month of October 🗹
  • it to be something you can wear or use at home (no outerwear) 🗹
  • take part in the contest discussion (well I registered my interest on page 34 of the discussion thread!)  🗹
  • a review to be written that illustrates how my jacket is warm and cosy, with at least two photographs (and they don't need the garment to be shown on a person) 🗹
  • contest entry to be before 11.59 EST on 31 October (hopefully fingers crossed)


I do curl up on the sofa like this next to the log burner but have to confess that this is very much a staged picture because it was a warm gorgeously sunny day when the photograph was taken. If we had taken the photograph a day later the log burner would have been roaring away keeping us toasty warm. Such are the vagaries of Spring.

At least I am not wearing sandals as I was when we took pictures of me wearing one of my other wardrobe contest items.

Left: Palermo Satin Cloud jacket; V8710 KT Happy Flowers top; Megan Nielsen Flint Boyfriend Mustard trousers; Arche Ikhini Yellow sandal
Right: Palermo Satin Cloud jacket; V8710 KT Happy Flowers top; Megan Nielsen Flint Prince Check trousers; United Nude Zink Pop Mid Black booties

Saturday, 24 October 2020

Pattern Review Endless Combinations

After failing miserably and not participating in the Stitcher's Guild 2020 SWAP I was tempted by the Pattern Review Endless Combination contest. Given my productivity over the first half of the year the desire to sew nine garments in four and a bit weeks was either ambitious or stupid depending on your view point. At least four needed to be sewn to participate - that was my real goal with everything above four a bonus.

The plan for Endless Combinations is a distraction from the garments cut out and waiting patiently for their turn on the sewing table. As they are left over from my 2019 summer sewing plans it is not too much of a disappointment - there is still time to make them before the start of this Summer.

The official rules

The idea was to build a flexible wardrobe of pieces that go with each other. You start with one garment, and then each subsequent garment you sew must coordinate with the one before.
  1. Create and sew an "Endless Combination" wardrobe of at least four items that coordinate in the way described above. (A+B, B+C, C+D). There is no limit to the number of items in your Endless Combination.
  2. Any pattern can be used or no pattern at all.
  3. Accessories are not allowed as an official “item” but may be sewn/worn for styling purposes.
  4. The fabric may be pre-treated (washed) and patterns may be trialled before the contest start date of 1 July but the fabric for the contest garment can't be cut before the contest start date.
  5. All entries have to be submitted by 11.59pm Eastern time on 31 July. This should have worked in my favour as that is 3.59pm on 1 August (a Saturday) in New Zealand.
Not discovering the contest thread until 1 July left no opportunity for pattern testing ahead of time.

The original plan

I flitted about between various fabric and pattern options, where was the start and what followed what. Eventually I produced this initial plan but when it came to sewing it required too much brain power and was abandoned (also truth be told new shinier fabric entered the building).


Creates Sew Slow: Pattern Review Endless Combinations

Top row
(a) Top based loosely on the Style Arc Rosie pattern in Reef viscose knit from Drapers Fabrics 
(b) Thread Theory Lazo Trousers in a viscose/silk blend twill from The Fabric Store
(c) V8710 KT top in Lady McElroy Sacred Symbol viscose crepe jersey from Stonemountain & Daughter

Row two
(d) Megan Nielsen Flint trousers in a white/mustard check grey lightweight wool from The Fabric Store
(e) Diane Ericson The French Fold Shrug in an ochre coloured merino knit from The Fabric Store

Row three
(f) Named Kielo Wrap dress in a sheer poly bug print from Drapers Fabric or
     V9243 (OOP) Twirling dress in an ochre merino knit from The Fabric Store

Bottom row
(g) Sew Different Sheer top in Sunset sequins from Stonemountain & Daughter or
      DP Studio LE702 Trompe l'oeil trenchcoat in D&G Sweet Home Italian wool from Marcy Tilton

The (almost) executed plan

The Firebird mohair finally arrived from The Sewing Workshop and turned my plan on its head. The three months it took the fabric to swim across the Pacific ocean is what happens when you order fabric during a pandemic just as borders close and international travel stops.

Creates Sew Slow: Pattern Review Endless Combinations

Top row
(a) Papercut Fjord cardi Firebird mohair wool from The Sewing Workshop (this fabric is still available at Elliott Berman)
(b) V9243 Twirling Firebird dress
(c) Sew Different Sheer top in a paisley cotton lace from Fabric Vision

Middle row
(d) Megan Nielsen Flint trousers in a white/mustard check lightweight wool from The Fabric Store
(e) V8710 KT top in Blue Temptation rib knit from Miss Maude
(f) Megan Nielsen Flint trousers in peggy yellow heavy tencel twill from Miss Maude

Bottom row
(g) Style Arc Rosie top in Lady McElroy Sacred Symbol viscose crepe jersey from Stonemountain & Daughter
(h) Thread Theory Lazo Trousers in a viscose/silk blend twill from The Fabric Store
(i) Style Arc Rosie top in Reef viscose knit from Drapers Fabrics

The pattern cards

Sometimes the Grainline Studio pattern cards are an after thought, and my line drawing of the garment are anything but polished. Yet I have maintained the practice of filling out a pattern card and making notes about alterations etc for each garment sewn. Will report back in a few years as to whether this practice has been useful!!

Creates Sew Slow: Pattern Review Endless Combinations

The finished garments

Eight of the Endless Combination were finished in July but still not entered into the competition for two reasons:
(1) I haven't written reviews for each of the finished garments; and
(2) I don't have photographs of me wearing all of the garment combinations

Even three months later no reviews are written or photographs taken. Instead what I have are the garments in a flat fashion layout.

Creates Sew Slow: Pattern Review Endless Combinations
The seven items in their endless combination
All three of the tops in this endless combination can be worn with either pair of trousers as well as with the Fjord Firebird cardigan, extending the wearing possibilities even further.

Creates Sew Slow: Pattern Review Endless Combinations
Item nine - the Rosie Reef top
The Rosie Reef top was unable to join its friends as an endless combination because item eight the Lazo trousers were not made (and still remain flat fabric). 

The frenetic sewing during July was followed by an extended pause until September and the advent of the Pattern Review 2020 wardrobe contest...